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Soft Cell's Musical Force Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond in Leeds during 1977

Dave Ball, a key member of the pioneering 1980s electronic music band Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the pair achieved a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is regarded as a seminal work of synth-pop.

He subsequently founded the innovative techno group The Grid, who achieved chart success with their 1994 single Swamp Thing.

Ball passed away peacefully in his rest at his residence in London on October 22, just weeks after performing a featured performance with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

At that show, Ball appeared in a wheelchair, as he had for the last two years, after a period of health issues.

"I ended up damage myself significantly," he commented in a recent interview. "I broke spinal bones in my spine and fractured about multiple ribs and broke my arm."

Following contracting pneumonia and developing blood poisoning, he was placed in an medically-induced sleep and remained in the hospital for seven months.

However, he had been in "a great place emotionally" over the warmer months, as he worked on a new album with Almond, called Danceteria, which is scheduled for publication next year.

"He was focused and so happy with the latest project that we actually finished only a short time ago," said the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting time for him, and I find comfort from the knowledge that he heard the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the early 1980s

Tributes

Almond described his bandmate as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an significant part of my life and for the music you created with me. I couldn't be where I am without you."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "constant humor" and "steadfast support".

"Being in a duo with someone is distinct from joining a band, the connection is incredibly close," he continued.
"That was the case with us. We experienced so many extraordinary, incredible, memorable moments as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Early Life

Born into a single-parent household in the city of Chester in the late 50s, Ball was given up for adoption when he was 18 months old.

He grew up in Blackpool with adoptive parents Donald and Brenda Ball, who changed his first name from his birth name to his adopted name, together with his younger sister his sister, who was also adopted.

He encountered Almond at an art college in the late 70s, where they were both learning fine arts. Inspired by a shared love of Northern Soul, they established Soft Cell the same year, and quickly produced an EP.

Musical Partnership

The pair were an unusual combination: Ball was the reserved technician, bent over his synthesizer, while Almond was a charismatic performer, all glitter and eye-liner; but they attained a unique musical alchemy.

Ball had developed a fascination with synthesizers after watching Kraftwerk perform on BBC program a popular series, and started to combine moody electronic sounds to the soaring melodies Almond was composing.

Their signature song became the United Kingdom's second most popular song of 1981, shifting 21 million copies worldwide. Together with hits by other artists, contemporary bands and electronic acts, it helped cleared the way for the synth-pop sound of the 80s.

The track was also included on their full-length debut, Non-Stop Erotic Cabaret, which produced two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The duo were working on new material right up until Ball's passing

Professional Journey

Fame had its upsides. "I enjoyed being able to afford my first home, having money and travelling, which makes me sound like a beauty queen," Ball not long ago told with a publication.

But it also presented problems. "Sudden riches allowed we could afford newfound drugs to alleviate the monotony" of press appearances and television shows, Ball said.

"I realize that's a common saying, but it's a cliché for a good reason, because it works for so many musicians."

Amidst the party-filled existence, the pair were also growing distant, but they succeeded to produce a second classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They put out one more album, 1984's This Last Night In Sodom, before ending the band to concentrate on individual endeavors.

Almond went on to have a prosperous solo career, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a long-lasting partnership.

Reunions and Final Projects

Soft Cell came back together in the early 2000s, releasing the charting record Cruelty Without Beauty.

After another hiatus, they reappeared in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the O2 Arena on 30 September, that year.

However, they stayed active, recording their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently described the band's upcoming release as a homage to the New York club scene they visited while making their first two albums.

He noted that his time in medical care had influenced the band's sound.

"I had strange recollections when I was coming and going of hospital because I was on morphine," he told a publication.
"Our latest tracks are a electronic representation of the sounds in my mind from those days.
"In parallel, it's about the experiences we had in the 80s."

The last versions were finished only days before Ball died. It is due for launch in the spring of 2026.

About the author

Mrs. Ashley Lucas

Elara Vance is a seasoned journalist specializing in royal affairs with over a decade of experience covering European and global monarchies.

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